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Screenings and Other Musings
Contributed by Chris Derrick   
Sunday, 26 November 2006

October 17, 2006 Beverly Hills (CA) – An event to take note of was the unspooling of the Derrick Brothers' latest cinematic creation, F*CKYOU, PAY ME -- a "take that" ScifFi satire aimed at the ever-increasing debt load that most Americans obnoxiously suffer under. The snarky and prescient film depicts a near-future in which "Patriot Act VII" has made excessive consumer debt a federal felony & deputized a special law enforcement unit (the Debt Enforcement Organization) to hunt down and arrest credit offenders, such as those behind on their student loans, their cellphone bills or just living beyond their means and decreasing their FICO score. A glimpse into the world to come? Could be!
 
In attendance for the Derrick Brothers' piece of short filmic fiction was four-time Olympian Carl Lewis (who starred in the film),versatile thespian Leonard Roberts (who many of you know from DRUMLINE and NBC's new hot drama "Heroes"; he plays D.L., Ali Larter's on-the-lamb ex with the ability to be intangible), Nick Endres, a newcomer to Hollywood as this was his first film – ever; and the ever-talented Diahnna Nicole Baxter. Witty comedy writer Alessia Costantini made an appearance, along with about-to-break singer/songwriter Jamila Caro, and UMECers Aaron Celious, Aleesa Adams and Zach Evans.

Internet entertainment news group, MakeAHollywoodMovie.com chronicled the Heineken and Hypnotiq sponsored event.

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Short Film Screening
Contributed by Chris Derrick   
Tuesday, 10 October 2006
Okay, so I said it would happen, and now it is. We're screening our short film, that existential labor - "F*ck You, Pay Me!" on Tuesday October 17th, at 7:30 (and 8:30) at The Clarity Screening Room in Beverly Hills. Address is 100 N. Crescent Drive, BH, CA 90210. It's right on the corner of Wilshire and Crescent, can't miss it. Best thing -- parking is FREE.
 
I've got TiVo on my mind... and that ain't good!
Contributed by Chris Derrick   
Wednesday, 20 September 2006
The Tube is back (or maybe it’s never gone away if you’ve been frequenting www.youtube.com on the web) – at least it is now that HBO’s “The Wire” has returned… if you haven’t seen “The Wire”, then you’re missing out in what is possibly TV’s greatest show in the past 5 or 6 years. Greatest, because it does and has what very few shows do or have – great acting, engrossing storylines, compelling characters, sex & violence and… a no-holds-barred social commentary without being heavy-handed. Remember Ed R. Murrow’s comments about what the value of TV should be… David Simon’s show fits that bill. Although, if you haven’t seen any of the previous seasons you need to get the DVDs and catch up before this show gets deeper into this climatic season.
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EVERYONE HAS A VICE
Contributed by Chris Derrick   
Wednesday, 23 August 2006
So it’s been over a month since I last posted, but I’ve been up to my neck doing a lot of pulling-me-this-way-and-that type of stuff. My brother and I went down to the San Diego ComicCon to promote a book that we were hired to write for this new comic company called www.theguardianline.com, The Guardian Line, and that was a eye-opening experience (we got free hotel, meals and liquor for the whole weekend, so there was no turning it down). I’ve been down to ComicCon quite a bit over the past five years, feeding a vice that I can’t quit and looking for intellectual property that could be exploited in film or TV. I’ve always loved comics – even when they were highly unpopular (like in the 80s), because they’re one of the best ways to blend pictures with words for narrative storytelling. If you can get an opportunity to write or draw a comic, do so; it’s very satisfying, and if it gets published you’ll have something that people can buy, and get into your head with.

Pulp Heroes
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BE FUNNY!
Contributed by Alessia Costantini   
Monday, 14 August 2006

Image Just got back from three weeks in NYC.  Tons of meetings, tons of fun, more than a little inspiration.  God, I love that city!  I’ve always loved it, but it has been particularly special since it became the beginning of my television writing career.  After all these years in LA, New York still holds that literary mystique.  It was there that I took a leave of absence from my Management Consulting firm to take every writing class my heart desired at NYU, there that I was mugged at the Astor Place Starbucks while typing a script about (seriously!) mugging, and there that my comedy writing professor pulled me aside and told me if I didn’t quit my job and move out to LA to write sitcoms, he would quit teaching.  (He's a bit melodramatic.) 

So it was especially flattering when that teacher asked me to speak to that same comedy writing class upon my return to NYC.  And worrisome.

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It's The '50s All Over Again... or is it?
Contributed by Chris Derrick   
Saturday, 08 July 2006
It's The '50s All Over Again or Is it?I've lamented in the past that DVDs, VOD, the video iPod and good old fashion piracy has taken the "Oh, I gotta see that" out of movies… and it's evidenced by the fact that box office has been steadily declining over the past two years – and the slide will continue, mark my words. Sure, you might say people are renting and buying DVDs more, but that's slowing down, too. However, the movie going experience can still "wow" you under the right circumstances and get you away from you TV and ripped DVDs. 
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Get By With A Little Help For Your Friends
Contributed by Alessia Costantini   
Monday, 19 June 2006

ImageLong time no write, I know.  But it’s been a whirlwind few weeks and I don’t even know where to start!  Meetings, lunches, travel, weddings, UMEC, script research, MORE family visits – with a little bit of writing mixed in there, too.  Still no definitive word on staffing, though there are a couple irons in the fire that I can’t mention yet... 

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James Earl Jones, David Allen Grier & A Race Against Time
Written by Dominic Cianciolo   
Monday, 12 June 2006

These last few weeks have been crazy.  I feel like time and I are racing; each of us trying to get to the finish line so that we can determine our outcome. My goal, get the necessary money and people to make this film happen. Time’s goal, to stop my goal from happening. Right now we’re neck and neck and I find myself looking for that thing that will give me the upper hand.

The 1st ever EFEX class has been a success. As we go into our last week, I am content with the progress we made with the students (both U of M and high school) and the efforts we’ve taken to prepare for the film.  It wasn’t as grand as I had originally desired, but I think I underestimated how hard it is to get other people to share in a vision; or more importantly, to take action to make that vision a reality.  So while the class proved to be more of a “class” and less of a “film boot camp” as I had hoped for, I still think the kids learned a great deal and gained a better understanding of cinema.

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This is the End...
Written by Joan Abraham   
Monday, 22 May 2006

Of the TV Season that is.

I know I said I was going to be gone for a while, and that I was taking a break from anything film or TV related, however as I've been trying to watch my basketball (NBA playoffs haven't been better in close to a decade), I've been getting bombarded with all the commercials for the Season Finale of LOST, 24, GREY'S ANATOMY, THE OFFICE, ALIAS, DESPERATE HOUSEWIVES, you name it -- so it's hard to escape.

Curiously the end of TV coincides with the beginning of the Summer Movie Season (I wonder if it was planned that way, way back when...?) I talked about the Summer Movies before, so I don't need to drag those lottery hopefuls over the coals again (except that when am I going to stop hearing about the so-called controversy about THE DA VINCI CODE - a book that could never be a satisfying movie. It would require not being faithful to Dan Brown's story to make a compelling and modern Indiana Jones type of film)

Over the weeked, I was listen to NPR and heard the Executive Producer of ALIAS (not J.J. Abrams) speak about what he likes about TV is that the creatives can do what film no longer has the ability to do (at least studio-financed projects) -- which is do character driven material that glues the audience to their seat AND gets them talking about it.

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